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TRON is a 3D high—tech adventure set in a digital world that’s unlike anything ever captured on the big screen. Sam Flynn (GARRETT HEDLUND), the tech—savvy 27—year—old son of Kevin Flynn (JEFF BRIDGES), looks into his father’s disappearance and finds himself pulled into the same world of fierce programs and gladiatorial games where his father has been living for 25 years. Along with Kevin’s loyal confidant (OLIVIA WILDE), father and son embark on a life—and—death journey across a visually—stunning cyber universe that has become far more advanced and exceedingly dangerous. From the studio that brought you “Shrek,” “Madagascar” and “Kung Fu Panda” comes “How to Train Your Dragon.” Set in the mythical world of burly Vikings and wild dragons, and based on the book by Cressida Cowell, the action comedy tells the story of Hiccup, a Viking teenager who doesn’t exactly fit in with his tribe’s longstanding tradition of heroic dragon slayers. Hiccup’s world is turned upside down when he encounters a dragon that challenges he and his fellow Vikings to see the world from an entirely different point of view. After being evicted from their home, the Cheng family finds that times are tighter than ever. Hardworking single mom and recent Boston transplant Elaine tries desperately to find the means to support her young children, Raymond and Tina. They squat in a model apartment in an unfinished building, but try to maintain a normal life. Elaine juggles a number of jobs, including working for a questionable pyramid scheme. Meanwhile, Raymond and Tina become latch—key kids and find amusement in building childish inventions. When Elaine doesn’t return home one night, things take a turn for the worse. Nobody knows the kids are home alone, and they are left to fend for themselves. As the days pass, Raymond realizes he needs to come up with a plan to take care of his little sister. Based on Tze Chun’s own award—winning short film, WINDOWBREAKER, which screened at the 2007 Sundance Film Festival, CHILDREN OF INVENTION is a drama about the influence of an adult world on children, the immigrant mentality, and shortcuts to the American dream. CHILDREN OF INVENTION made its world premiere at the 2009 Sundance Film Festival and won Special Jury Prizes at the 2009 San Francisco International Asian American and Sarasota Film Festivals. After being evicted from their home, the Cheng family finds that times are tighter than ever. Hardworking single mom and recent Boston transplant Elaine tries desperately to find the means to support her young children, Raymond and Tina. They squat in a model apartment in an unfinished building, but try to maintain a normal life. Elaine juggles a number of jobs, including working for a questionable pyramid scheme. Meanwhile, Raymond and Tina become latch—key kids and find amusement in building childish inventions. When Elaine doesn’t return home one night, things take a turn for the worse. Nobody knows the kids are home alone, and they are left to fend for themselves. As the days pass, Raymond realizes he needs to come up with a plan to take care of his little sister. Based on Tze Chun’s own award—winning short film, WINDOWBREAKER, which screened at the 2007 Sundance Film Festival, CHILDREN OF INVENTION is a drama about the influence of an adult world on children, the immigrant mentality, and shortcuts to the American dream. CHILDREN OF INVENTION made its world premiere at the 2009 Sundance Film Festival and won Special Jury Prizes at the 2009 San Francisco International Asian American and Sarasota Film Festivals. Paramount Pictures and Marvel Entertainment present the highly anticipated sequel to the blockbuster film based on the legendary Marvel Super Hero “Iron Man”, reuniting director Jon Favreau and Oscar nominee Robert Downey Jr. In “Iron Man 2”, the world is aware that billionaire inventor Tony Stark (Robert Downey Jr.) is the armored Super Hero Iron Man. Under pressure from the government, the press and the public to share his technology with the military, Tony is unwilling to divulge the secrets behind the Iron Man armor because he fears the information will slip into the wrong hands. With Pepper Potts (Gwyneth Paltrow), and James “Rhodey” Rhodes (Don Cheadle) at his side, Tony forges new alliances and confronts powerful new forces. NO ONE KNOWS ABOUT PERSIAN CATS is the fifth feature by awardwinning director Bahman Ghobadi (A TIME FOR DRUNKEN HORSES, TURTLES CAN FLY), winner of the Un Certain Regard Jury Prize at the Cannes film festival. Co—written by imprisoned Iranian—American journalist Roxana Saberi, the film is an indictment of cultural repression in Iran’s exciting underground music scene, a powerful cinematic foreshadowing of current protest movements, and a celebration of an entire generation of Iranians striving towards personal and creative freedom. Shot in secret and featuring extraordinary performances by real underground bands, NO ONE KNOWS ABOUT PERSIAN CATS follows a pair of young musicians, recently released from prison, on a mission to take their rock band to Europe. Forbidden by the authorities to play in Iran, they plan their escape abroad with a fast—talking music promoter. Vowing to play one last show before leaving Tehran, their dangerous mission takes them on a free—wheeling journey through the City’s vibrant and diverse underground scene, home to an estimated 2,000 illegal independent bands. Brian Cox stars as Jacques, the curmudgeonly owner of a gritty New York dive bar that serves as home to a motley assortment of professional drinkers. Jacques is determinedly drinking and smoking himself to death when he meets Lucas (Paul Dano), a homeless young man who has already given up on life. In the hopes of keeping his legacy alive, Jacques deems Lucas is a fitting heir and takes him under his wing, schooling him in the male—centric laws of his alcoholic clubhouse: no new customers, no fraternizing with customers and, absolutely no women. Lucas is a quick study, but their friendship is put to the test when the distraught and beautiful April (Isild Le Besco) shows up at the bar seeking shelter, and Lucas insists they help her out. In the romantic drama Remember Me, Robert Pattinson plays Tyler, a rebellious young man in New York City who has a strained relationship with his father (Pierce Brosnan) ever since tragedy separated their family. Tyler didn’t think anyone could possibly understand what he was going through until the day he met Ally (Emilie de Ravin) through an unusual twist of fate. Love was the last thing on his mind, but as her spirit unexpectedly heals and inspires him, he begins to fall for her. Through their love, he begins to find happiness and meaning in his life. But soon, hidden secrets are revealed, and the circumstances that brought them together slowly threaten to tear them apart. Remember Me is an unforgettable story about the power of love, the strength of family, and the importance of living passionately and treasuring every day of one’s life. Freddy Krueger returns in “A Nightmare on Elm Street,” a contemporary reimagining of the horror classic. A group of suburban teenagers share one common bond: they are all being stalked by Freddy Krueger, a horribly disfigured killer who hunts them in their dreams. As long as they stay awake, they can protect on another…but when they sleep, there is no escape. In Columbia Pictures’ The Karate Kid, 12—year—old Dre Parker (Jaden Smith) could’ve been the most popular kid in Detroit, but his mother’s (Taraji P. Henson) latest career move has landed him in China. Dre immediately falls for his classmate Mei Ying — and the feeling is mutual — but cultural differences make such a friendship impossible. Even worse, Dre’s feelings make an enemy of the class bully, Cheng. In the land of kung fu, Dre knows only a little karate, and Cheng puts “the karate kid” on the floor with ease. With no friends in a strange land, Dre has nowhere to turn but maintenance man Mr. Han (Jackie Chan), who is secretly a master of kung fu. As Han teaches Dre that kung fu is not about punches and parries, but maturity and calm, Dre realizes that facing down the bullies will be the fight of his life. Kyle Kingson (Alex Pettyfer) has it all – looks, intelligence, wealth and opportunity – and a wicked cruel streak. Prone to mocking and humiliating “aggressively unattractive” classmates, he zeroes in on Goth classmate Kendra, inviting her to the school’s extravagant environmental bash. Kendra accepts, and, true to form, Kyle blows her off in a particularly savage fashion. She retaliates by casting a spell that physically transforms him into everything he despises. Enraged by his horrible and unrecognizable appearance he confronts Kendra and learns that the only solution to the curse is to find someone that will love him as he is – a task he considers impossible. Repulsed by his appearance, Kyle’s callous father banishes him to Brooklyn with a sympathetic housekeeper (LisaGay Hamilton) and blind tutor (Neil Patrick Harris). As Kyle ponders how to overcome the curse and get his old life back, he chances upon a drug addict in the act of killing a threatening dealer. Seizing the opportunity, Kyle promises the addict freedom and safety for his daughter Lindy (Vanessa Hudgens) if she will consent to live in Kyle’s Brooklyn home. Thus begins Kyle’s journey to discover true love in this hyper—modern retelling of the classic “Beauty and the Beast” story. In Columbia Pictures’ The Karate Kid, 12—year—old Dre Parker (Jaden Smith) could’ve been the most popular kid in Detroit, but his mother’s (Taraji P. Henson) latest career move has landed him in China. Dre immediately falls for his classmate Mei Ying — and the feeling is mutual — but cultural differences make such a friendship impossible. Even worse, Dre’s feelings make an enemy of the class bully, Cheng. In the land of kung fu, Dre knows only a little karate, and Cheng puts “the karate kid” on the floor with ease. With no friends in a strange land, Dre has nowhere to turn but maintenance man Mr. Han (Jackie Chan), who is secretly a master of kung fu. As Han teaches Dre that kung fu is not about punches and parries, but maturity and calm, Dre realizes that facing down the bullies will be the fight of his life. The Harimaya Bridge is a drama about an American man who must travel to rural Japan to claim some important items belonging to his late son, from whom he was estranged. While there, he learns several secrets his son left behind. The story takes place in Kochi Prefecture, a deeply rural part of Japan where traditional customs remain strong. The movie addresses the bond and conflict between father and son, as well as the prejudices that often exist between people of different backgrounds. From Grassroots Films of Brooklyn, New York comes THE HUMAN EXPERIENCE – the story of a band of brothers who travel the world in search of the answers to the questions: Who am I? Why am I here? What is the meaning of life? Their quest leads them to sleep on the streets with the homeless of New York City, comfort the orphaned children of Peru, and seek out the abandoned lepers in the jungles of Ghana, Africa. What they discover changes them forever. They are captivated by the joy and love that they encounter; they are awakened to the beauty of the human person and the resilience of the human spirit. Along with one on one interviews with experts and amateurs from all walks of life, THE HUMAN EXPERIENCE weaves both commentary and drama into a deep reflection on what it means to be human. Spencer Aimes (Ashton Kutcher) is just your average, undercover, government—hired super—assassin accustomed to a life of exotic European locales, flashy sports cars and even flashier women. But when he meets Jen Kornfeldt (Katherine Heigl), a beautiful, fun—loving computer tech recovering from a bad break—up, he finds true love…and happily trades international intrigue for domestic bliss. Three years later, Spencer and Jen are still enjoying a picture—perfect marriage – that is, until the morning after Spencer’s 30th birthday. That’s when Spencer and Jen learn he's the target of a multi—million dollar hit. Even worse, the hired killers have been stalking the happy couple for years, and could be anyone: friends, neighbors, the grocery store clerk, even that crabby old guy shuffling across the street. Now Spencer and Jen are on the run for their lives. As their suburban paradise turns into a paranoid game of dodge—the—bullet, they must find out who wants Spencer dead and why, all the while trying to save their marriage, manage his pain—in—the—ass in—laws, keep up neighborly appearances…and just plain survive. And you thought suburban life was easy. The story begins with a new English Teacher Rahul Prakash Udyavar( Shahid Kapoor) joining Swaraswati Vidya Mandir school, situated in the outskirts of Mumbai Suburbs. Though he strikes instant rapport with students and teachers alike, he realizes that there is something amiss in the school. Slowly his doubts prove true as the School Manager— Sharma (Saurbh Shukla) makes many monetary obligations compulsory on the parents in the name of extracurricular activities. He goes to the extent of punishing the students inhumanly when the new unjustified demands of the school are not fulfilled by the parents. When Rahul Udyawar unifies the teachers (Ayesha Takia, Sushant Singh, Kurush Deboo) against the atrocities of school management, the Principal Aditya Sahay (Nana Patekar) defends the management decision. This comes as a shocker to the teachers as Mr. Sahay is known for his dedication as an educationist for last 32 years which has built the school’s high reputation. The situation becomes graver as school management becomes overambitious with its growth and involves media planners in the extracurricular activities. This demands the involvement of students in TV reality shows and many other media PR activities used for building up the school image in public which starts reflecting on the students’ stress levels. The pressure on young minds increases incredibly leading to unexpected and grim consequences. An un—missable look at one of the art world’s most fascinating controversies and a celebrated selection of the Toronto, New York and AFI Film Festivals, Don Argott’s gripping documentary THE ART OF THE STEAL chronicles the long and dramatic struggle for control of the Barnes Foundation, a private collection of art valued at more than $25 billion. In 1922, Dr. Albert C. Barnes formed a remarkable educational institution around his priceless collection of art, located just five miles outside of Philadelphia. Now, more than 50 years after Barnes’ death, a powerful group of moneyed interests have gone to court for control of the art, and intend to bring it to a new museum in Philadelphia. Standing in their way is a group of Barnes’ former students and his will, which contains strict instructions stating the Foundation should always be an educational institution, and that the paintings may never be removed. Will they succeed, or will a man’s will be broken and one of America’s greatest cultural monuments be destroyed? After a horrific car accident, Anna (Christina Ricci) wakes up to find the local funeral director Eliot Deacon (Liam Neeson) preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna’s grief—stricken boyfriend Paul (Justin Long) still can’t shake the nagging suspicion that Eliot isn’t what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over the other side. With an unrelenting edge of menace, After.life is a stylish psychological thriller which provocatively questions the line between life and death. Bruised and beaten, arm in a sling, neck in a brace, Arthur Poppington (Woody Harrelson) sits in front of court—appointed psychologist Ellen Park (Sandra Oh). After making her swear to secrecy, Poppington begins to tell the story of his secret life as “Defendor” – yes, that’s an “OR” – spelling is not one of his super powers. By day, Poppington directs traffic around road construction sites, but at night he dons a pair of black tights, a black jersey with a crude “D” duct—taped to his chest, and trawls the streets as his alter ago. As Defendor, Poppington engages in what he believes is a super heroic fight against crime in an attempt to fulfill his unrealized dream of capturing his archrival, Captain Industry – a gun trafficking crime lord who Poppington mistakenly believes is responsible for the death of his mother. Defendor’s problems with the law begin with his intervention in a trick gone bad. When coming to the aid of Katerina Debrofkowitz (Kat Dennings), an underage prostitute, Defendor tangles with her pimp, Chuck Dooney (Elias Koteas) – a crooked undercover cop. By doing so, Defendor bumbles his way into a criminal underworld, and the stage is set for a showdown with Captain Industry. DEFENDOR is the ultimate underdog story about the unlikeliest of super heroes. While he may be deficient in super powers, he has a surplus of heart and sometimes that’s all you need to make a difference. Kristen Stewart and Dakota Fanning star in this music—fueled story of the ground—breaking, all girl, teenage rock band of the 1970s: The Runaways. The film follows two friends, Joan Jett and Cherie Currie, as they rise from rebellious Southern California kids to rock stars of the now legendary group that paved the way for future generations of girl bands. Joan and Cherie fall under the Svengali—like influence of rock impresario Kim Fowley, played by Michael Shannon, who turns the group into an outrageous success and a family of misfits. With its tough—chick image and raw talent, the band quickly earns a name for itself—and so do its two leads: Joan is the band’s pure rock’ n’ roll heart, while Cherie, with her Bowie—Bardot looks, is the sex kitten. Written and directed by Floria Sigismondi, the film chronicles Joan and Cherie’s tumultuous relationship on and off stage, as the band starts to break out. |
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